It is a small marble statue that presents a youthful, beardless Christ, who is dressed as a philosopher and carrying a scroll that is unopened (Cayley & Powell, 2013). The iconography can be said to be having a combination of both Christian and Imperial attributes in one figure. The attributes are a youthful Apollo-like God and consequently a wise and elderly philosopher. Here, Christ who is from God is presented as strong and formidable (Cayley & Powell, 2013). This artwork was primarily chosen to show a difference in how Christ is represented then, to what he was described later in the Christian history. Due to the rarity of the sculpture, it could be clearly seen that the making of these form of statues was considered to not be acceptable.
Cayley, E., & Powell, S. (2013). Manuscripts & printed books in Europe 1350-1570: Packaging, Presentation & consumption. Liverpool: Liverpool University Press.